Anything that throws or is thrown is fundamentally a weapon and propulsion is its essential moment. The weapon is ballistic; the very notion of the “problem” is related to the war machine. The more mechanisms of projection a tool has, the more it behaves like a weapon, potentially or simply metaphorically.Deleuzeguattari, A Thousand Plateaus, p. 395
Why sex and death? The universality of both systems is undeniable, the containing of moments which are deemed essential repeat or denied to their credit, but death is the primary weapon of this war machine. We can cop out, act as a softening cop, and call it by the name of the coming together and drifting apart, but the signifiers of sex and death are present as the line which is seen as primary. They claim primacy through naturalism but certainly they are simply what towers over within analysis.
The question of the primacy of sex and death or a synthetic object which combines both of these falls by the wayside when the analyst determines their essential moments, prodding back with their weapon, which is to say into the client’s past. What is needed by the analyst is a breaking apart, the idea fundamentally is that there is something which is held together in a certain way that should be broken apart. In contrast, sophistic commonsensical interventions call to the universals of basic day to day civilization as if it was the solution and not the background noise. The background noise is given primacy by cognitive and behavioral interventions. The Analyst War Machine however is a negative of civilization, it breaks it apart. It may claim to be with it, through the law of the father or some other law, but it’s speed betrays it. The call towards sex and death, perhaps not primary, but certainly taking up through the analyst a vanguard of primacy in the form of historical return through the essential moment.
Two weapons, but endless essential moments, or possibilities of the essential moment. Where the survival mechanism shoots on in the analysand, the analyst’s ballistic missile shoots in, throws a signifier, breaks apart. It is the breaking, and this is not to excuse it, but is the quality of an analyst. Sex and death yes, but which takes primacy, Lacan’s synthetic object which is their entanglement is betrayed at least by their signification into two. Establishment of equilibrium, weapons of signifiers, projections and projectiles and projected projects of the analyst and analysand, death takes primacy.
Death takes primacy over sex as the breaking apart is intrinsic to sex itself, but the same can not be said of breaking. Death is an objectively more stable form than sex, which is designed to include death within. The Analyst War Machine ends the session, ends the treatment, ends the line of thought, it is a mechanism of ending, and it is even the ending of ending, as the ballistic signifier breaks apart throughout, the creation of anything new taking place through a breaking.
The human is not the thing that does the breaking but the formal actuality of the analyst, who forms likewise speed to cause a breaking, a masochistic breaking in that it is the analyst/analysand machine and its own parts are breaking. The trust in the formal substanceless thing, the analyst to break itself in the form of the machine, where only the analysand has life, but the machine is of the analyst and his ballistics.